
"Into the Woods" is a modern twist on several of the beloved Brothers Grimm fairy tales, intertwining the plots of a few choice stories and exploring the consequences of the characters‘ wishes and quests. This humorous and heartfelt musical follows the classic tales of Cinderella (Anna Kendrick), Little Red Riding Hood (Lilla Crawford), Jack and the Beanstalk (Daniel Huttlestone), and Rapunzel (MacKenzie Mauzy)-all tied together by an original story involving a baker and his wife (James Corden & Emily Blunt), their wish to begin a family and their interaction with the witch (Meryl Streep) who has put a curse on them. (C) Disney.
About Into The Woods
Artist : Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris PineAs : The Witch, Baker
Title : Into The Woods Pelis Gratis
Release date : 2014-12-25
Movie Code : 0099851
Duration : 125
Category : Family
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The stage musical delightfully reminded audiences that while happy endings are possible, you should always be careful about what you've wished for. Now comes the movie version, and it's a singing and dancing manifestation of both of those ideas.

This movie always seems to distance itself from that existential truth that was at the core of Sondheim's original.

For years, composer and lyricist Stephen Sondheim's 1987 fairy tale mashup, written with librettist James Lapine, has hacked its way through the thicket of Hollywood development. And the movie now before us? Here's a relief: It's good.

This twisty fairy-tale mash-up shows an appreciation for the virtues of old-fashioned storytelling, along with a welcome dash of subversive wit.

The movie is a watchable, tuneful contraption.

Into the Woods left me out in the cold.

Rumbles on for too long and has some dry patches here and there-but just when we're growing fidgety, we get another rousing musical number or another dark plot twist, and we're back in business.

A capable cast and some very fine songs, but parents should take note of the dark themes. This Disney movie ain't kid stuff.

With its ominous gnarled trees and enchanted look, Into the Woods is a place worth exploring.

What is celebrated is the art of storytelling and the bedazzling attraction of a killer cast, uninhibited acting, giddy escapism, attractive visuals and an extroverted score.

As with Chicago, Marshall makes bold choices, but they pay off. His cast may glitter with film stars, but they work as an ensemble and keep their stories emotionally true against a terrifically rich orchestral accompaniment.

The life lessons are delivered with insight and heart, the rightfully beloved music is well handled and the cast is so enthusiastic that we can excuse some rough patches.

A mixed bag of clever twists on familiar storybook myths, engaging performances and forgettable songs.

If so much as one tween viewer adds Sondheim to his or her iPod playlist alongside the likes of "Let it Go," all will have been worthwhile.

The Stephen Sondheim-James Lapine 1987 musical Into the Woods has been transferred to the screen by director Rob Marshall with most of its complexities and light-dark tonalities intact.

Does it work as a movie? Thanks to a few cast members, the answer is - yes, and for the most part quite nicely.

If you go down to the woods today. you'll find A-listers dressed like 'Game of Thrones' extras belting out showtunes.

Corden is a wonderfully funny, self-effacing bloke - I'm thrilled at the prospect of seeing him nightly, hosting his own show after Colbert. Maybe he'll have Emily Blunt as a guest. It's her movie.

What makes "Into the Woods" so entertaining is the cleverness of the tale itself and the way specific characters match the talents of its storytellers.

With the exception of Meryl Streep (as the Witch) and James Corden (as the Baker), the cast is bland, and the bombastic orchestrations tend to steamroll the nuances of Sondheim's score.

I left disenchanted and irritated by so many missed opportunities.

A jolly mash-up of symbol-laden, signature once-upon-a-time tales about lust, envy, greed, and misguided pursuits of happiness.

Some of the musical's superfans will feel shortchanged by the movie no matter what, but you have to give credit where it's due. The adaptation is pretty faithful to the original - for better and worse.

Rob Marshall - who previously shepherded a glossy if slightly diluted version of "Chicago" to the screen - does a decent job transferring the material.

Instead of being a rueful meditation on the inevitable disappointments of adulthood, the last act plays out as a generic dystopian bummer.

"Into the Woods'' thankfully retains most of its wit and bite, and showcases two of the year's very best female performances, from Streep and Blunt.

Marshall's film captures enough of the emotions that course through this sneaky fairy tale about childish things like love, sex, grief, insecurity, abandonment, and forbearance.

Yes, the sets and costumes elicit swoons, but it's the peerless Sondheim score, however truncated, that makes this Woods a prime destination.

"Into the Woods" is a paean to the primal magic of storytelling.

"Into the Woods," the splendid Disney screen adaptation of the Stephen Sondheim-James Lapine musical, infuses new vitality into the tired marketing concept of entertainment for "children of all ages."

The first two-thirds of the film, which are like the Brothers Grimm's Greatest Hits on laughing gas, have a fizzy, fairy-dust energy.

With archness and irony, "Into the Woods" goes deeper into the fairy stories, allowing us to see familiar archetypes in new and not so flattering ways.

It's hard not to get swept up in the grand production of it all.

Director Rob Marshall simply cuts from one tale to the next, isolating his actors. There's little sense that the fairytale space is a shared one - it's just a bunch of noisy incident transpiring in unrelated treestands.

"Into the Woods" could have taken a well-worn path toward stagey sentiments, but those who worried that Hollywood might drain the enchantment from the Enchanted Forest can live happily after.

The sly send-up of fantasy tropes and healthy doses of humor help Into the Woods feel very much like the books and films it gently satirizes, even as it stands on its own as a solid entry into the musical-fantasy genre.

For anyone who can appreciate the darker side of fairy-tales told in a musical with depth and nuance, Into the Woods is a journey worth taking.

The cast is top-notch, the story is satisfyingly dark, the performances are fun and, of course, the songs are terrific.

Even if this Into The Woods lacks the exhilaration of the best movie musicals, it does capture the show's emotional intimacy - no small task in a field that favors razzle dazzle.
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